Modesty's Costume Closet

Even though I started this costume back in April, it feels like I'm down to the wire on this. My time perception is so dumb sometimes. There are only a few more things to do.  1. The Mask + Kimono Got the kimono pretty much done.  The Kitsune Mask is painted and sealed with varnish. I added the macrame cord and elastic and the wisteria resin charm.  Fixed the nose! 2. Goro Puppet I've had my head down with the puppet for the past couple weeks. It's coming along! I attached the ears AND made the front paws. Fixed the body girth and added stuffing here and there. I need to fix one of the arms that's gone a bit wonky. BUT I think the claws on the front paws came out very cute! And the head looks so nice with the ears on.  I attached the head to the neck and closed up a few more seams. Made a few mistakes that I'm going to cover with extra fluff. 😅 I'm still fiddling with the stomach opening for my hand and I need to make the tails. I think that will be my goal for

This post will offer ways you can put design onto fabric to match a character for cosplay or just to have a cool design on your garment.  The 3 main "categories" or methods are:  Painting Applique Sublimation/Screen Printing Painting This is the most accessible and often cost effective way to put a design onto fabric.  The benefits are: Can match character designs exactly Color availability Flexibility  Often inexpensive (although, you can always find a way to spend too much.) Some of the downsides: Sometimes only specific types of paint will work for your fabric (dark, stretch fabric, sheer, etc) It can be tedious for large amounts of fabric Some paints can crack, fade or even wash out in water Requires a steady hand and coordination Can get messy I like looking at Dharma Trading's website for research on what paints work best with whatever fabric I'm working with.  So there are many methods of painting fabric of all kinds. There's also a plethora of paint speci

 My first kimono project is to recreate Ruka Rengoku (Luka in the english dub...ugh...) blue flower kimono from the anime.  This one! So some quick analysis.  What kind of Kimono is it? Going through my "design tree" I have these main questions to answer: Who is wearing it, what's the occasion/formality level and what time of year is it? Who: A middle aged married woman. This means that the height of the garment is my full height and the sleeves will be shorter.  Occasion: Sick in bed. So this will be a very casual kimono...even though it's pretty. They're pretty pajamas basically. The screenshot doesn't show it but she's not wearing juban, the sleeves are horizontally and vertically short, the obi is not very wide.  Season: Summer based on the colors and floral designs. Based on this information, I deduce this is likely a yukata. (Or possibly a sleeping kimono.) Either way, I will be making a yukata which means:  short sleeves A hanhaba or heko obi cotton

   I've been following this tutorial on making Kitsune masks.  Things I've learned.  Glue is sticky! It's all over my fingers after a few minutes. But peeling the glue off is cathartic. I kind of love it. I guess it's like how some people like slime.  The first layer of paper mache will be kind of rough and a bit wrinkled.  I made the ears and forehead bump before putting down my first layer of mache.  It takes SO much paper! But varying the thickness and length helps with curves and dents.  I've got one layer of paper so far. It's already hardened but definitely needs smoothing out.  After awhile, I was not loving the shape of the first mask. I wanted a 2nd crack at it so I started another one. I cut up another soda fridge box and this time the base was much smoother. I made the muzzle smaller. I used brown paper from a roll and made sure most edges were uneven. (It sticks better.)  2nd attempt. A smaller snoot side by side comparison front inside the masks Aft

 My plan is to make a total of 4 kimono. 2 are cosplay kimono and 2 are original designs.  I am taking a different approach to these (and any future kimono) than I did with the Wisteria Fox project. Recently I sent images of it to fellow kimono stylists for feedback and got some helpful advice. I also got access to a Patreon video for tailoring kimono from bolt to finished product. Haven't had a chance to watch it yet, been busy with Halloween and Dance Comp dress which I finally got in the mail! I'm sure it will give me even more insight than I have now. But, I need to get this post out of my head and onto the digital paper.  So, first, if you want to make a kimono, These are the 3 videos I recommend you start with from Billy Matsunaga Ultimate Kimono Measuring Guide (video) Make an Authentic Kimono (the easy way) - Video ( Men's Version ) How to Put on Kimono by Yourself - (video) From there, it makes following these patterns and sewing tutorials a bit easier:  How to M

 A personal flaw of mine is being very discouraged in reaction to mistakes. It's taken years to realize the root of this issue. And oddly enough, costumes have helped me heal. I'm learning how to make happy mistakes or at least embrace the process. And all this flowery intro is how my process in learning how to make a kimono is going. My hindsight (that now feels a bit embarrassing) and my current process plan and hopefully resources for anyone to have a better foundation than me getting started.  Here were the challenges I had on this project:  I rely on patterns. When it comes to brain load, measuring and understanding why the shapes work is often a lift I can't make easily. The patterns available are a mix of authentic and more Western approaches to sewing. (Something that I only recently learned is the variation of seamstress traditions between cultures.) Technically, you don't NEED a pattern for kimono, but although I knew the pattern shapes, I did not know how to

One of the most frustrating things is learning a better way to do things after the fact. Like, I found a better more authentic kimono pattern after I cut the pieces. I am learning a lot about kimono styling and construction lately. I plan on taking a class even. Along with the course on knitting project management.  (I have a problem, but I'm taking steps to fix it.) Note : Technically, there is no "pattern" for kimono, it is all rectangles cut at specific lengths and put together. I use pattern or template pieces that have my measurements because wrestling fabric in my small space is hard enough without having to measure for each piece. Also lord help me I can't cut a straight line without a guide.  Let's start with the Juban.  Juban/Hanjuban When I originally started this project, I knew that juban was a thing you wore under the kimono. I have one from the yukata I got years ago. I knew it could be different colors to peek from under the kimono. The patterns I h