Modesty's Costume Closet

In preparation for my next sewing project, I wanted a cutting table but I have no room in my apartment for more furniture. I also want a better surface to iron on that's bigger than my ironing board. Currently I cut my fabric on the floor which is fine for smaller projects. But making my hakama was really testing my physical limits. So to avoid further spinal aches, I wanted to lift my fabric prep from the floor to a table.  I have a cheap, long card table that used to be my main crafting table when I first moved to Texas. It's a good height but the surface is shot due to years of sloppy crafting. It's a long, narrow table which is going to work well (I hope) for my kimono sewing. However, I want to make the surface smooth and clean so it's easy to cut. My current cutting board is too wide for the table. So my first objective was to figure out how to make this table a better surface for cutting fabric.  Cutting Board As long as you're using scissors to cut, a cuttin

This post will offer ways you can put design onto fabric to match a character for cosplay or just to have a cool design on your garment.  The 3 main "categories" or methods are:  Painting Applique Sublimation/Screen Printing Painting This is the most accessible and often cost effective way to put a design onto fabric.  The benefits are: Can match character designs exactly Color availability Flexibility  Often inexpensive (although, you can always find a way to spend too much.) Some of the downsides: Sometimes only specific types of paint will work for your fabric (dark, stretch fabric, sheer, etc) It can be tedious for large amounts of fabric Some paints can crack, fade or even wash out in water Requires a steady hand and coordination Can get messy I like looking at Dharma Trading's website for research on what paints work best with whatever fabric I'm working with.  So there are many methods of painting fabric of all kinds. There's also a plethora of paint speci

 My plan is to make a total of 4 kimono. 2 are cosplay kimono and 2 are original designs.  I am taking a different approach to these (and any future kimono) than I did with the Wisteria Fox project. Recently I sent images of it to fellow kimono stylists for feedback and got some helpful advice. I also got access to a Patreon video for tailoring kimono from bolt to finished product. Haven't had a chance to watch it yet, been busy with Halloween and Dance Comp dress which I finally got in the mail! I'm sure it will give me even more insight than I have now. But, I need to get this post out of my head and onto the digital paper.  So, first, if you want to make a kimono, These are the 3 videos I recommend you start with from Billy Matsunaga Ultimate Kimono Measuring Guide (video) Make an Authentic Kimono (the easy way) - Video ( Men's Version ) How to Put on Kimono by Yourself - (video) From there, it makes following these patterns and sewing tutorials a bit easier:  How to M

 A personal flaw of mine is being very discouraged in reaction to mistakes. It's taken years to realize the root of this issue. And oddly enough, costumes have helped me heal. I'm learning how to make happy mistakes or at least embrace the process. And all this flowery intro is how my process in learning how to make a kimono is going. My hindsight (that now feels a bit embarrassing) and my current process plan and hopefully resources for anyone to have a better foundation than me getting started.  Here were the challenges I had on this project:  I rely on patterns. When it comes to brain load, measuring and understanding why the shapes work is often a lift I can't make easily. The patterns available are a mix of authentic and more Western approaches to sewing. (Something that I only recently learned is the variation of seamstress traditions between cultures.) Technically, you don't NEED a pattern for kimono, but although I knew the pattern shapes, I did not know how to

 I'm going to share a bit of my process for making decisions. Lately, I have been assailed by indecisiveness and fretting about costume colors. So, I've sat myself down and did some practical things to help make these decisions.  Requirements This will require visual aides so either use a drawing that you will trace and color in or scan in a drawing to manipulate on art software. I use Photoshop but you can use any program that lets you dump colors and change layers.  Process Brainstorm :  Find inspiration based on costume themes or favorite colors or common color compliments for clothes or traditional cultural colors.  Create a cookie cutter template where you can place the colors generally where they need. If you are doing this physically, make sure the linework is bolded so you can retrace and try other colors.  Look at them all side-by-side.  Eliminate first by 'feeling'. "I'm not crazy about this combo." "Not my vibe." "Just not into it

 I'm writing this in hopes to help myself really. I struggle with this so much! Now, I do end up finishing many projects but my apartment has become a testament to my impulses. So, let's dish about focus and starting too many things at once.  ✨SPARKLY!✨ The "sparkle" is meant to grab your attention, that is its job. My tendency is to follow it probably farther than I want. HOWEVER, much like the psychology of advertising I find inspiration can often be that distraction that pulls me away from a current project.  Here's what I mean.  I'm currently working on my puppet design. It needs a lot of research for the parts I want to make for it. The pinterest board is very full and more is added to it all the time. (I really need to organize it.) As I'm researching how to make the scales, I find the silicone scale tutorial video. Instead of just leaving it as research, I start looking at other videos by the same person because there are related topics like what ki

 My recent failures with creating a silicone mold have prompted me to dig deeper into the processes of creating a mold of an object to cast in a different material. I'm going to start with the basics: What is Casting? A cast is a reproduction of an original item in new material.   Common Materials to cast with:  Resin Plaster Plastic Wax Latex/Rubber/Silicone Food (Ice, Chocolate, Hard Candy, etc) Molten Metal  Common methods for casting are:  Slip Casting - makes a thin layer, commonly used for latex masks 2-part Cast - Make a mold with 2 halves sandwiched together  Pour Mold - put material into a divot  What is a Mold? FYI, this didn't work out. A "mold" is an imprint of an object that we can pour the material into.  Common materials to make a mold with:  Plastic Silicone/Rubber Metal Clay Plaster What is a Buck? A "buck" is what we call the subject of the casting, the original piece, so to speak. Whether you are sculpting something to cast later or have a

I get on kicks or fads every so often. Lately, I've been bitten by a knitting bug...and while researching those techniques brought up an old video I had watched about someone building a big sleeve dragon puppet, and it was all over from there. Now, I'm on a puppet kick. Puppet props, not puppet costumes like fursuits. That's a post for another time.  Design Considerations Size and Weight For any prop, you need to carry around or transport, you must consider how big it is and its weight. I'm not saying your puppet has to be small and lightweight...but know your limits. You don't want it to be so light that it breaks easily, either. I guess durability  is another feature you'd want to consider.  Desired motion and manipulation style How do you want the puppet to move? Will it open and close its mouth? Wiggle its ears? Blink? Wink? Have glowing eyes? Walk!? Once you decide how you want it to move, you need to figure out how to make that motion happen with the struc

After many years of being away, I'm planning a trip with friends to the Texas Renaissance Faire. It's been a good 5 or 6 years since I've been there. My first true Ren Faire was at my undergraduate school Grand Valley State University and I made a dress with my mom's help. (We used a commercial pattern.)   First Ren Faire 20+ years ago!  First Ren Faire Costume Considerations The two biggest things to know about Ren Faires are that they are an outdoor venue with lots of walking . Just like any county fair if you think about it. Also, it is important to note that dressing up in garb or costume is OPTIONAL . It is not a requirement although it is very fun.  If you do want to wear something special, you need to consider:  Weather Conditions - based on what region you are in. It's HOT where I am, but you may be blessed with chilly fall weather. Time Budget - how long do you have before the Faire? Funds Budget - how much do you want to spend or can you spend? Comfort

 As we grow as a society and as our exposure to other cultures increases, the question of whether or not we can wear another culture's traditional costume becomes a sensitive subject. Most of us want to avoid the cultural faux pas of wearing a costume that offends a majority of people! So, how does one navigate these tricky waters?  What are we trying to Avoid? I think going into this, we want to consider what may be wrong with wearing a costume from another culture:  Showcase our Ignorance Encourage Negative Stereotypes Portray a Caricature  Reducing or Mocking a Culture Display Arrogance Lack of Empathy In our day and age of information access, ignorance of a culture is no longer an acceptable excuse...past a certain age. Admittedly, children under a certain level of maturity do not have the capacity to grasp important historical realities for other people. They grow into it. And I think the current generation of parents are more culturally sensitive than previous ones and are th