Modesty's Costume Closet

 This may be a bit tangential from my usual topics but it was inspired by some character bounding shawl ideas I had so we can tie it into that. But Ombre or Gradient yarn cakes are really pretty. I have been crocheting with one. However, the challenge comes with finding the right colors in the right sequence. So that go me curious as to how to make my own Ombre yarn. So here's what I've researched as possible ways to get that color change effect along with some of the pros and cons of each.  1. Purchase Skeins of Colors Sticking with the idea of using solid color yarns, you purchase yarns in the colors you want and create the cake. However, color choice is important here. To make the change of color more gradual, you will need yarn colors in the transitional color. So if I'm going for yellow to red, I may get an orange that is a good blend of those colors. The more "steps" of colors you get the more gentle the transition is between colors. Below is a video example...

Duct tape Dummy or a Duct tape mannequin is a quick way to create a replica of your body for all kinds of projects. From being a dress form to creating a pattern, Duct tape dummies (DTD) are incredibly useful for all kinds of costume projects.  However, if you are trying to make a full body DTD, you'll need assistance to make it. It may also destroy some of your clothing in some methods. And you may not feel comfortable making one as it is restrictive.  The primary reasons for making a DTD are to make patterns for clothes or armor. Because it is easy to translate the 3D form into a 2D pattern.  Puppet head covering pattern. Personally, for things like gloves or boot covers, I have no trouble making a DTD of an arm or a leg. But full body I need a different approach.  Method 1: Silhouette Tracing As a kid, I remember having a criminal outline done on banner paper of myself. It is still a viable approach although now I may need to tape pieces of banner paper side by si...

When you want to dress up as a character but it would not be appropriate to cosplay at the event,  character bounding or casual cosplay may be the solution! Or if you just don't have as many chances to go to cosplay events.  Personally, I just like the idea and think about Character Bounding or Casual Cosplay in everyday life a lot. But let's clarify what we mean by character bounding and casual cosplay.   What is Character Bounding? Typically, character bounding involves using a character's color schemes or motifs in your everyday clothes to portray the spirit of a character. This is popularized by Disney characters since you can't really cosplay at any of the Disney parks (because that is a job at the park.) However, you are not limited to Disney or fictional characters. I've also seen people use historical figures or fashions as a form of "bounding". (I honestly don't know why it's called bounding. If I were a good blogger I'd probably look ...

This post will offer ways you can put design onto fabric to match a character for cosplay or just to have a cool design on your garment.  The 3 main "categories" or methods are:  Painting Applique Sublimation/Screen Printing Painting This is the most accessible and often cost effective way to put a design onto fabric.  The benefits are: Can match character designs exactly Color availability Flexibility  Often inexpensive (although, you can always find a way to spend too much.) Some of the downsides: Sometimes only specific types of paint will work for your fabric (dark, stretch fabric, sheer, etc) It can be tedious for large amounts of fabric Some paints can crack, fade or even wash out in water Requires a steady hand and coordination Can get messy I like looking at Dharma Trading's website for research on what paints work best with whatever fabric I'm working with.  So there are many methods of painting fabric of all kinds. There's also a plethora of paint spe...

 A personal flaw of mine is being very discouraged in reaction to mistakes. It's taken years to realize the root of this issue. And oddly enough, costumes have helped me heal. I'm learning how to make happy mistakes or at least embrace the process. And all this flowery intro is how my process in learning how to make a kimono is going. My hindsight (that now feels a bit embarrassing) and my current process plan and hopefully resources for anyone to have a better foundation than me getting started.  Here were the challenges I had on this project:  I rely on patterns. When it comes to brain load, measuring and understanding why the shapes work is often a lift I can't make easily. The patterns available are a mix of authentic and more Western approaches to sewing. (Something that I only recently learned is the variation of seamstress traditions between cultures.) Technically, you don't NEED a pattern for kimono, but although I knew the pattern shapes, I did not know how to ...

 My recent failures with creating a silicone mold have prompted me to dig deeper into the processes of creating a mold of an object to cast in a different material. I'm going to start with the basics: What is Casting? A cast is a reproduction of an original item in new material.   Common Materials to cast with:  Resin Plaster Plastic Wax Latex/Rubber/Silicone Food (Ice, Chocolate, Hard Candy, etc) Molten Metal  Common methods for casting are:  Slip Casting - makes a thin layer, commonly used for latex masks 2-part Cast - Make a mold with 2 halves sandwiched together  Pour Mold - put material into a divot  What is a Mold? FYI, this didn't work out. A "mold" is an imprint of an object that we can pour the material into.  Common materials to make a mold with:  Plastic Silicone/Rubber Metal Clay Plaster What is a Buck? A "buck" is what we call the subject of the casting, the original piece, so to speak. Whether you are sculpting something to...

Because my whole thing lately has been anime related knitting projects, I do a LOT of color work. I guess I did start in an unusual way by learning some of the trickier aspects of knitting. This post will go over how color charts "work", how I use them to make a pattern and how to make your own.  Types of Color Work In knitting there are many names for color work:  Color Change, Striping (horizontal stripes) Marling, Marled (Speckles) Illusion/Shadow Color (It's just cool looking. Knits and purls that hide a pattern unless you look at a certain angle or stretch it.)  Stranding, Fair Isle, Mosaic, Norwegian (Carrying strands of yarn behind the work.) Intarsia, Color Block (Changing color at key points and rejoining old color.) Double Knitting, Reversible Knitting (Knitting two pieces of fabric at the same time.) Duplicate Stitch, Monogram (Stitching on top of current stitches after the work is fully knitted.)  Regardless of how the color work is done, color charts are...

Currently, I have cast on and knitted my first sweater parts. So far only have the back done, but I'm going to share my process so you, too, can knit along or try it yourself.  I will share my supply list, techniques used, calculating the sweater size, and color charts. I think I'll need to make how I do color charts in its own post. Here's a post I made about how I go about making a color chart.  Supplies Flexee Loom Chunky  4 Skeins of Lion Brand Wool-Ease Thick & Quick Black 1 Skein Big Twist Natural Blend Winter White Bobbins, Loom Knit Pick, Stitch Markers, and Yarn Needle (not pictured) Color charts Alternative Supplies You do not have to use my supplies exactly to get this sweater result.  You can use any blend of a Super Bulky Weight yarn (#6) in black and white. You can also use a Bulky Weight (#5) or Worsted Weight (#4), but it will change your gauge, the calculations and color charts will differ. (I made color charts for both weights because I was not...