Skip to main content

Wisteria Fox: Day 13 -14 Final Days

 As of 4/10/2022, the wisteria fox costume is complete. I completed the final touches that I wanted to make. And here's what I did. 

Kanzashi Piece

I had purchased a hair piece but I felt like it needed to be a little bigger to cover my human ear so only my fox ears were prevalent. I know how to fold these things but had to get new ribbon to do it. It took a few tries but eventually I created this hair piece. 

Wisteria Kanzashi 

I used the instructions from this video for folding the flowers, but did my own construction of the hair piece. 


Mask

This was one of those things where I could ponder forever at this blank canvas and never come up with any ideas. I tried doodling some patterns based on references but still wasn't really happy with what I was coming up with. So, I just had to sit down and go to town with paint and get it done. I had a couple elements from references that I was kind of using but mostly just painting. There's no turning back now. To be fair, this is the type of design I struggle with the most. I'm glad it is done but wish I could have had a more solid plan. 

Doodles and the final mask


Kimono Pattern


So, making stencils from vinyl is still in the experimental phase and it is still going to take some time and I don't want to wait. I tried making my own stencil with an X-acto knife and stencil plastic but it was too fiddly. But I had the example stencils I could use as reference and just eyeball it. Once again, it was a matter of "this just has to get done, we can just ponder it forever." Got my acrylic paints, my fabric medium, and fabric paints. I mixed up a pink, lightened the purple, and used a light blue paint and light green paint. 

First, I took my tailor's chalk and made a "motion" guide of where the vine is flowing. (I had the image of a rosary in mind.) Then I painted the leaves here and there. I started with a purple wisteria branch but the purple was very dark. So I mixed some white to lighten it up and repainted. Then I made a blue vine...and decided to add a pink. I alternated those three colors throughout the vine. The wisteria vines were very abstracted, but that does match the style of the foxes and fire. Everything is abstracted. 

Front Pattern

Back pattern


In the end, I'm pleased with the result. It's definitely got some amateurish to it because I am klutzy with painting. (My set up was not ideal. I spilled my paint water TWICE. Thankfully, didn't stain the kimono!)  

Parasol

This one was simple. The silk wisteria flowers were detachable from the main branch. Got some tiny hair rubber bands and attached them loosely to the tips of bamboo. I COULD hot glue them down but for now they're easy breezy. 

All together

The full costume fits on the dummy! She's a lovely fox lady.
I bought the sandals/zori...ignore the PEPSI MAX!

With open parasol.

Back of the belt is drooping. But tail is covered!


I haven't had a chance to put the full thing on myself yet but I will. There is a tweak or two to be made with the obi. The cardboard insert has bent so I need to create a sturdier reinforcement for the fake knot in the back. I have some PVC back board that might do the trick. Other than that, next post will be a photo shoot...
...once I get a photo backdrop. 😅 I've got my eye on one but I'm saving up for it. 

Oh last thing to show off. The tail moves!

Comments

Popular posts from this blog

Costume Design: Guiding Principles

Part of designing costumes is finding a way to pick from many solutions. Limiting these choices can be the art of design.  I have some of my own "Guiding Principles" or Design Principles when it comes to costume design. Some of these constraints are based on non-mutable factors. (Or currently difficult to change.) The fun ones are a bit on the arbitrary side. These are self-imposed limitations for the costume that as a designer I decide to apply to any given costume.  The point of these principles is to help you make a final decision if you are paralyzed by many choices. I may get hung up on some pretty silly things, so at the very least, this helps me move forward and kind of imply that I had a plan all along.  Immutable Design Principles We might run into some touchy subjects here but whatever, here we go! Immutable principles are either constraints your life situation has you in at any given time or core beliefs about what you wear. This can mean things like religious beli

Costume Fabric Cheat Sheet: How to Pick Fabric for your Costume

 In the previous post , I laid out how to describe different aspects of fabric when trying to find a good fabric for your costume. This post will go over ways to apply those terms and actually pick out a fabric for your costume. I will attempt to teach by examples.  4 Avenues of Research Cheat! I mean...look at other cosplays. You can often find images of photoshoots which make for better references than illustrations. If you are lucky, the costume maker may have posted a journal about how they made their costume or at least list the materials they used.  Check for Suggestions in Sewing Patterns Sewing patterns will list suggested fabrics to use for the costume. Pop those terms into a search engine and see the results.  Historical, Cultural, or Real Life Examples With a search engine or books, you can find out about how clothes were made back in the day or what materials are used around the world. You can also check the tags on your clothes to see what it's made of.  Narrow down to

Hakama Series - Hibakama (Scarlet Hakama)

The bright red hakama with a white kimono is a common sight in both anime and video game characters. Shrine maidens or Miko also wear this combination of colors when they work at Shinto shrines. Honestly, there is a LOT of history and cultural significance wrapped up in this one.  Anime/Games: Inuyasha, Genshin Impact, Sailor Moon,  So let's talk Design. Design Considerations Cultural Significance This is one I'd pay attention to if I was creating a character of my own. I assume that already created characters have had this research done and have taken their artistic license.  Some of the research taught me a few things: The color is technically scarlet or vermillion, not "red". 🤷 Miko are not part of the Shinto clergy. Sometimes they are just seasonal workers.  Generally, Miko are young women in their teens or early 20s. After a certain age, they wear different colors.  This was based on Heian nobility colors and fashions.  Color Like I said earlier, the color is ve